Saturday, September 29, 2007
Anybody heard anything about a fire at Pagemasters, the company that's taken over the Herald's subbing? I heard there was one, non-accidental in nature ...
Mixed lollies
Our muse this month is one-time Bollywood beauty Mumtaz Begum Jehan Dehlav and, as George Costanza was inclined to say, “I’m back in business, baby!” A truckload of lollies has been accumulating since last month, and I’m talking wide-load, long vehicle here.Mark offers us this Slate piece on smoking; Jeremy Clarkson of Top Gear’s convincing argument that binge drinking is good for you; and hyphens perishing in the name of so-called progress. We at NZBC are liable to paraphrase Heinrich Heine on this matter: “Wherever hyphens will be spurned, apostrophes also, in the end, are spurned.”
Meanwhile, an Englishman is becoming the most feared man in American letters; and (as Mr Stratford points out) what a great and accurate analogy that is in the final paragraph. Also via Mr Broatch, from the pages of the Guardian, the man who plays insensitive and arrogant anaesthetist Guy Secretan on The Green Wing; and the wise but mirthless Pamela Stephenson.
As usual, Stephen has the lion’s share of lollies. There have been a number of online discussions about why recent audio CDs don’t sound great (“when there’s no quiet, there can be no loud”), and this video demonstrates the effect nicely. The artistic validity of smoking on stage is under attack over at Tim Worstall’s blog. Robert Fripp of King Crimson in League of Gentlemen mode (that’s the band, not the comedy troupe), and oh, how much fun that so does not look. So thank God for the “Young Americans”, Levin and Belew. Still on Great British music, Stephen and I liked this nostalgic anecdote about Kevin Ayres:
“Kevin can be cripplingly shy,” Shepard says. “He tells a story about arriving in Berlin in the early 1970s. He met up with Iggy Pop and a newly famous David Bowie, and the three of them scored some coke. Kevin had a 500-Deutschmark note—his only cash, to last him a week—and he took it out and rolled it up. He used it, Iggy used it, then Bowie used it and pocketed it. Kevin says that’s why Bowie became a rock star and he didn’t. Bowie had the balls to nick his money, and he was too shy to even mention it.”Here we have a post-modern computer game review, from Stephen’s man at the UN; and a debate on journalists’ ethics, with Vicky Pollard weighing in. The Stratford Theory of Numbers is being tried and tested again, this time on Stuff:
“Surfing the net has become an obsession for many Americans with the majority of US adults feeling they cannot go for a week without going online and one in three giving up friends and sex for the Web.”Hmm... statistically that should mean, since there are a lot of frustrated people with web-obsessed partners, at least some of the remaining two in three are getting a whole lot more action.
Via Marginal Revolution, Tyler Cowen calls this Economist piece about his book Discover Your Inner Economist “one of the best book reviews I have ever encountered”. And finally, from Stephen at least, a quadruple-lolly of breeding, Chaucer, farts and, just to break the, er, theme, Thomas Pynchon.
I urge you to watch the video to ‘Dark Road’, Annie Lennox’s beautiful new song from her album Songs of Mass Destruction. The My Fonts newsletter has a nice story about the man who has redesigned Baskerville as well as its top 10 typographic crimes. On video, there is the making of the Six Feet Under title sequence—a TV classic in the pedigree of the Twin Peaks titles (hat tip to Matt Buchanan at CactusLab). And the 34th episode of Amazon Wire features William Gibson, talking about his new novel Spook Country.
Naomi Klein’s new book Shock Doctrine: The Rise of Disaster Capitalism is about the economic practice of “shocking people into obedience”. There’s a short promotional film by Alfonso and Jonás Cuarón, the guys who made the movie Children of Men. Penguin’s podcast is very good, too.
NZBC friend Chris McBride recommends a short piece about how the “Edward Hopper landscape” in Truro, Massachusetts may or may not be under threat (doesn’t it exist only in Hopper’s paintings?); director Spike Lee talks about the elusive green light, proving that even those with major credibility receive rejection slips:
“They never really tell you the reason,” he sighs. “You never get the real reason.”And in LA you can now map your travel plans to avoid stumbling into a high-risk area. It makes for sobering reading. Thank God for most days in New Zealand. Stay safe.
Sunday, September 23, 2007
Steely Dan: Auckland Vector Arena, 22 Sept
Admit it, Auckland: you’re not quite sophisticated enough to have a venue like the Vector Arena. Underneath the yuppie threads and designer spectacles, behind all your chatter about “culture”, “fashion” and “city planning”, there’s a fat bloke with a mullet, trying to dance to Rikki Don’t Lose That Number (and no, the band did not play Rikki). You can tell this from the fact that the rest of the world figured out decades ago that acoustic baffles have to be hung from arena roofs before big rock shows sound the way they should. You can also tell this because the local security haven’t been told what to do in the event that unexpected dancing breaks out in the aisles and because the staff insist on turning people away at the main doors because their ticket shows a different door number from the one they’re trying to access (even though, on the other side of the door, everyone is in the same foyer anyway). You should only need a valid ticket to get into the main door of a venue, people; the self-sorting segregation occurs within, when people head for their seats. And I guess it’s just bad luck when the “Eftpos is down” at the bar and you have to walk for miles to find a cab to get home again because no one thought to kit the venue out with a taxi rank. But enough gripes about event organisation; here’s the real deal on the show, before the cloth-eared critics of the mainstream media get their mitts on it. Read on…
Monday, September 17, 2007
Josef Erich Zawinul, R.I.P.
So I will gift the first three people to email NZBC a New Zealand iTunes Store mp3 of a classic Zawinul composition: ‘A Remark You Made’, from Weather Report’s 1977 album Heavy Weather. Not only does it feature another of my heroes on bass, it also showcases Joe’s piano and synth. I wish you could hear ‘Cannon Ball’, the perfect tribute he composed for his former boss, Cannonball Adderley, but inexplicably the iTunes Store doesn’t have it.
In any case, Joe: Thanks for the memory.
Epigraphs and aphorisms remind me of you
I’m up to the letter ‘L’ in Clive James’s book of over 100 essays, Cultural Amnesia, and I’m enjoying almost every page of it, so I’m also looking forward to seeing his one-man show at the Bruce Mason Centre on Thursday night. I disagree with him both about Robert de Niro’s acting and John Coltrane’s sax playing, but they are among the very few people mentioned in this book about whom I feel qualified to comment. One day, someone as well-read as Mr James, should such a person ever again exist, will write a book about insightful commentators of the 20th and 21st Century and, along with a number of other Clive James aphorisms, it will include this quotation:“The mass murderer is ever fond of theories that explain everything, and all the fonder if they can be acquired without study. There is no reasoning someone out of a position he has not reasoned himself into. People are drawn into these enthusiasms by no mechanism that has anything much to do with rational thought.”
Soft hands, soft brain
My better-half spotted this in Women’s Weekly, which surely plumbs new depths in the mainstream media’s bid to convert the Stratford Theory of Numbers into fact. Based on a supposition that anything less vague might hurt a reader’s brain, it gives Garnier Hand Cocoon Hand Cream the following testimonial:
“Makes even the most chapped hands feel 40% less dry almost straight away.”
“Makes even the most chapped hands feel 40% less dry almost straight away.”
Tuesday, September 11, 2007
50-year hangover: remembering McAlmon
God will forgive everybody — even Robert McAlmon. F. Scott Fitzgerald
In 1923 Robert McAlmon published Ernest Hemingway’s first book. By 1925 he had published — some of them for the first time — Ford Madox Ford, Mina Loy, Ezra Pound, Norman Douglas, Djuna Barnes, Havelock Ellis, Edith Sitwell, William Carlos Williams, H.D., James Joyce, Gertrude Stein, Wallace Gould, Marianne Moore, Marsden Hartley, Wallace Stevens, Kenneth Burke, Glenway Wescott, and Kay Boyle. “There have been few people, not excepting Gertrude Stein and Ezra Pound,” Dan Pinck wrote in the New Republic in 1958, “whose efforts so helped to cast significant literary reputations.”
John Walsh, in his 2005 obituary of the biographer Humphrey Carpenter in the Independent, said: “It is hard to read about life in ‘the Quarter’, as they all called Montparnasse, without wishing to have tasted it oneself — to have bumped into Ernest Hemingway in a bar, to have drunk away the night with Robert McAlmon, to have been caught up in the intrigues of the expatriates and participated in their long fiesta.”
Who wouldn’t want to party with McAlmon in the days when there was a mad urge to over-indulge between wars, as though the lives of those who belonged to what is incorrectly termed “Une Generation Perdue” depended on it? Time grows like poison ivy over the memory of people who seemed so alive during their own lifetime that you would expect them to be immortal. But just as the matter and particles of a person cannot be obliterated by death, something of the energy of a person can continue to resonate long after they are dead. So it is with McAlmon who — although his work has not endured like that of his contemporaries Hemingway and Fitzgerald — deserves to be remembered; by writers, if not by everyone. Here are some of the reasons why.
In 1923 Robert McAlmon published Ernest Hemingway’s first book. By 1925 he had published — some of them for the first time — Ford Madox Ford, Mina Loy, Ezra Pound, Norman Douglas, Djuna Barnes, Havelock Ellis, Edith Sitwell, William Carlos Williams, H.D., James Joyce, Gertrude Stein, Wallace Gould, Marianne Moore, Marsden Hartley, Wallace Stevens, Kenneth Burke, Glenway Wescott, and Kay Boyle. “There have been few people, not excepting Gertrude Stein and Ezra Pound,” Dan Pinck wrote in the New Republic in 1958, “whose efforts so helped to cast significant literary reputations.”
John Walsh, in his 2005 obituary of the biographer Humphrey Carpenter in the Independent, said: “It is hard to read about life in ‘the Quarter’, as they all called Montparnasse, without wishing to have tasted it oneself — to have bumped into Ernest Hemingway in a bar, to have drunk away the night with Robert McAlmon, to have been caught up in the intrigues of the expatriates and participated in their long fiesta.”
Who wouldn’t want to party with McAlmon in the days when there was a mad urge to over-indulge between wars, as though the lives of those who belonged to what is incorrectly termed “Une Generation Perdue” depended on it? Time grows like poison ivy over the memory of people who seemed so alive during their own lifetime that you would expect them to be immortal. But just as the matter and particles of a person cannot be obliterated by death, something of the energy of a person can continue to resonate long after they are dead. So it is with McAlmon who — although his work has not endured like that of his contemporaries Hemingway and Fitzgerald — deserves to be remembered; by writers, if not by everyone. Here are some of the reasons why.
Wednesday, September 05, 2007
New Zealand music
In a parallel universe:
Wish you were Heretaunga
Hot August Nightcaps
Papamoa’s got a brand-new bag
Sign o’ the Waikato Times
Petone Bennett
Monday, September 03, 2007
Artificial intelligence
The spooks are getting down with the kids.
Spies are getting their own version of MySpace/Facebook, called A-Space. The A if for analyst, before you start guessing. But will they be able to poke each other? This networking tool will complement Intellipedia, which now apparently has 30,000 articles, and an online Library of National Intelligence. It will:
Speaking of Kafkaesque humour, do get along to The Pillowman if you live in Auckland. Some people were covering their face at the creepier scenes, but I found it hilarious.
Spies are getting their own version of MySpace/Facebook, called A-Space. The A if for analyst, before you start guessing. But will they be able to poke each other? This networking tool will complement Intellipedia, which now apparently has 30,000 articles, and an online Library of National Intelligence. It will:
include all official intelligence reports sent out by each agency, offering Amazon.com-style suggestions: if you liked that piece on Venezuela’s oil reserves, how about this one on Russia’s?
Spy-only blogs are also proliferating. Amy Zegart, associate professor of public policy at UCLA and author of “Spying Blind: The C.I.A., the F.B.I. and the Origins of 9/11”, identified 23 moments when the CIA or FBI. might have stopped the plot. But she said she saw “almost zero chance” that the web would have made a difference, because intelligence officers didn’t recognise the significance of the information they had. “I think we overemphasise what technology can do,” Ms. Zegart said. “The most important fusion takes place inside people’s brains.”
Would that be confusion?Speaking of Kafkaesque humour, do get along to The Pillowman if you live in Auckland. Some people were covering their face at the creepier scenes, but I found it hilarious.





